It is 2044 and the world is dying. Rather than confront the global issues at their doorstep, humanity has retreated into the virtual reality universe known as The Oasis. Wade Watts lives in a tower of mobile homes somewhere in Ohio, his only refuge the virtual high school he attends in The Oasis. The sudden death of Oasis creator James Halliday forever alters the lives of Oasis users when it is announced that Halliday has hidden the key to his massive inheritance – and the ownership rights to The Oasis – inside his own game as an easter egg. Now with Halliday’s biggest rivals like IOI closing in, it is up to a few good egg hunters – known as gunters – to reach Halliday’s egg first and keep The Oasis free and accessible to all.
I had heard about this book in passing numerous times, and it always popped up on my radar, but I ignored it. Maybe I wasn’t in the mood to read about video games. Maybe I thought I would miss too many of the 80s references, and the book wouldn’t make sense as a result of this inherent failing on my part. Maybe a lot of things.
It surfaced on my radar again three years ago when my sister’s university had to read it as part of their one-book-one-campus initiative. She loved it, but I was in the middle of rereading Harry Potter. It’s been high on my list since then, and I finally picked it up from the library last month.
This book is awesome. The 80s references are great, and since I was blessed with a mother who loves science fiction and fantasy, I understood at least eighty-five percent of the references and jokes.
Wade and his cohorts develope well as characters, and IOI makes for an intimidating enemy. The Oasis itself steals the spotlight. Its MMORPG (Massively-Multiplayer-Online-Role-Playing-Game) meets space opera structure is as beautiful and thoughtfully created as the book’s plot.
This journey through games, film, and music from one of the most iconic (in my opinion, at least) eras of history is not to be missed. And with a film version of the book hitting theatres next month, there’s no time like the present to pick up a copy. **Just a friendly heads-up that this book does contain some not-safe-for-child-consumption bits, so maybe save this one for the 15+ crowd. I’m assuming they’ll just pull these bits from the film script to get a PG13 for violence rating instead of pushing the edge of R for a pointless m*****b****n scene.**
Welcome the second installment of my Star Trek watch through! You can find other posts in this series linked at the bottom, and the original post – including my watch order – here. Without further ado, let’s jump into the episodes.
Episode #2 – “Charlie X”
The episode starts out with Charlie Evans, a seventeen-year-old from a planet called Thasus, where he was orphaned when the ship he was on crashed. He has strange powers – the transmutation of objects and people – and causes a lot of trouble for the crew of the enterprise as he fumbles his way through his first human interactions since the age of three. He supposedly taught himself to speak by talking to his old ship’s onboard computer, and he becomes irrationally angry whenever anyone doesn’t like him. After making a crew member disappear into thin air in front of Captain Kirk, Charlie and the Captain begin to butt heads, and Charlie attempts to take control of the ship when Kirk tries to derail their course away from Alpha V, where Charlie’s closest relatives live. The natives of the planet Thasus, the Thasians, arrive in very cool glowy green ships to retrieve Charlie, who ran away without their knowledge. In order for the boy to survive on their planet, they had to grant him his powers, but they cannot be taken away, and his having them makes him too dangerous to live amongst humans. Charlie immediately begins pleading with the crew of the Enterprise to let him stay, despite the fact that he’s been trying to murder them for the past few days.
I enjoyed this episode quite a bit, as it felt very true to traditional science fiction. The taking of one element and exploiting it, whether by making it cease to exist or making it the sole reason for something – in this case whether or not people liked Charlie – to me is the essence of science fiction writing. Charlie had all of this power, but none of the wisdom to use it safely. Watching his blunders and antics reminded me of the many children’s books involving the dangers of untrained magic. Training without power may seem silly, but power without training typically means certain death no matter what your age is. The fact that we had this boy at the height of puberty with a ton of power and no training in human interaction lent an idea for a very interesting storyline. Also, I’m pretty sure I’ve had nightmares involving people with powers like these, but that’s probably a story for another day.
Overall it was very well done. The fact that Yeoman Janice, Captain Kirk, and Doctor McCoy all attempted to explain puberty, men/women, and general human interaction to someone without saying any of the words they actually needed to use because those words weren’t allowed on cable in the 60s was cracking me up, but it was also a very good lesson in story writing.
Pilot #2 / Episode #3 – “Where No Man Has Gone Before”
This episode was originally produced as a second pilot for the series and actually takes place at an earlier stardate than the first two aired episodes, despite this episode being aired third. As I just looked up, the stardates, while allowing the creators to build a rough timeline, were just an arbitrary mix of numbers that weren’t meant to correspond to a specific year so that viewers couldn’t make snide comments about whether things would exist the way they do on the show at that future date.
The first few things I noticed were Leonard Nimoy’s crazy eyebrows and the simplified detailing on the sleeves of the command shirts. It was much fancier in episode #2. Also, this was Scotty’s first official appearance! Although I’m not all convinced that was James Doohan. After that, the biggest things were the lack of Uhura’s presence and the general treatment of women, which really stuck out when Yeoman Smith clutched Gary Mitchell’s arm as the ship flew through a strange forcefield. Honestly, if you’re part of a space crew whose mission is to explore uncharted areas, why would you be so easily scared of a space-storm/forcefield? Dr. Dehner wasn’t scared at all, but then again nothing scares her throughout the episode, so maybe she’s just made of sterner stuff. Plenty of characters made cameos in the episode, including Sulu, but just about everyone felt flat. Kirk was overemotional in part to compensate for Spock’s decided lack of emotion – which is a huge point of contention in this episode – and it made him come off as whiny. The episode ends with Spock admitting that he was sad about Mitchell’s fate, and Kirk responding that there is hope for him yet.
Unlike “Charlie X”, which I enjoyed specifically for the storyline, “Where No Man Has Gone Before” felt like a string of ideas strung together. Like “The Cage”, every action had multiple meanings, and you could see and feel what was contrived for the show itself and what allowances were made for the studio in order to get the show green-lit. It is strange to me that two episodes of the same show could read so differently to me, but there you have it.
I’m really enjoying the special effects! The way they make things disappear and reappear is pretty awesome. Both of these episodes had actors and lighting doing strange things with the characters’ eyes, and entire walls and people disappeared! Having a background in production, I am especially curious as to how they are doing the disappearances specifically. I don’t think it’s green screening, but I also don’t think it’s two pieces of film being merged together somehow. I’ll try to get to the bottom of it for my next post.
I’m still enjoying the series. Every episode feels like it’s own universe, and while I’m only a few episodes in, the cast already feels diverse to me. I can only imagine what people thought of it in the 60s!
Until next time,
Other posts in this watch through: Star Trek: The Original Series “The Cage” and “The Man Trap”
“The Naked Time” and “The Enemy Within”
“Mudd’s Women” and “What Are Little Girls Made Of?” (COMING SOON)
Danielle Wittimer and her parents had a special bond – their undying love for the too-soon gone TV show Starfield. Now that they’re gone, the show and the convention her father started in honor of it are the only things Elle has left of them. They keep her going while her stepmother and twin stepsisters make her life a living hell.
Darien Freeman grew up torn between worlds. Discovering Starfield and Excelsicon in middle school literally saved his life. Now, the chance to play the lead role of Prince Carmindor in the new film adaption of the cult TV show is more than he can pass up, but will the fans accept a new Carmindor?
Terrified to meet his new fans and foes, Darien reaches out to the Excelsicon founders to try to pull out of his meet-and-greet, only to find a friend instead. As Elle and Darien get to know each other through texts, they begin to understand just how not alone they really are. Will it be enough to save Carmindor and the reboot from disaster? Will it be enough to rescue Elle from her own personal hell?
I heard about this book last year just before it came out, and I had the chance to hear Ashley Poston speak about it at the Boston Teen Author Festival in September. Geekerella‘s charm comes from its roots in the Cinderella fairytale, tied up in its infusion of sci-fi culture – Star Wars, Star Trek, Firefly, and so many more. The melding together of fairytale and space opera with verge-of-adulthood problems and responsibilities makes for a totally new story that will enchant readers for years to come.
Poston’s love for everything space shines through in her writing and in her speech. Her next space-opera-meets-fairytale will hit shelves in the next year or two, and I personally can’t wait to get my hands on it.
Recently I read a book called Geekerella by Ashley Poston. It reminded me just out of the loop I am when it comes to science fiction, and how horrible of a way that would be to go out. So, I’ve decided to change that. To start with, I’m going to watch all of Star Trek. All. Of. It.
My review of Geekerella will be posted on Tuesday, and then you can find it here.
Star Trek had its beginning in the 1960s, when my parents were infants. This never stopped my mother from becoming a fan. With the return of science fiction worlds like Star Trek, Star Wars, Blade Runner, and so many others to both the big and small screens, it’s about time that I took the dive into this particular brave, new world.
I’ve decided to start at the beginning, since that is the most logical place to begin. I’m following the watch order that can be found here on digg, and also reproduced for you below:
Star Trek: The Original Series
The Animated Series
Star Trek: The Motion Picture
Star Trek II: The Wrath of Khan
Star Trek III: The Search for Spock
Star Trek IV: The Voyage Home
Star Trek V: The Final Frontier
Star Trek VI: The Undiscovered Country
The Next Generation Seasons 1-7
Star Trek: Generations
Deep Space Nine Seasons 1-5
Voyager Seasons 1-2
Star Trek: First Contact
Deep Space Nine Seasons 6-7
Star Trek: Insurrection
Voyager Seasons 3-7
Star Trek: Nemesis
Star Trek (2009)
Star Trek: Into Darkness
Star Trek: Beyond
Star Trek: Discovery
I’m going to watch somewhere between 1-3 episodes at a time and then let you know what I think of them. Let us see how long this project takes me. I’m also watching the show via Netflix, so that could have some impact on which episodes are aired when.
Now, I should warn you that I’m not a complete newbie when it comes to Star Trek, but growing up I was too busy reading fairytales to watch more than a few bits of whichever episode was on television, and I’m guessing I don’t get bonus points for understanding references on The Big Bang Theory or for watching the 2009 reboot film and Into Darkness when they came out.
Going into this, I was already aware that there were two pilots, and that the show was ushered into existence by Lucille Ball and her studio, Desilu Productions. (don’t be surprised. I read and I know things.) But what I didn’t know and wasn’t actually prepared for was the sheer amount of differences between the two showings, including an almost complete 180 of the cast.
Pilot #1 – “The Cage”
Christopher Pike is fantastic. I really enjoyed Jeffrey Hunter’s acting (he’s also not hard on the eyes). Is it just me, or was Spock mildly human in this episode? He actually seemed worried that Pike had been captured. The whole Adam and Eve shtick was probably a lot less overused in the 60’s, but it still played nicely here. I quite enjoyed the large-brained aliens – maybe they are the precursor to the large-headed green ‘Martians’ we so frequently see today in science fiction? Wonderful use of special effects. I even loved the obviously homemade communicators.
My favorite part of the entire episode was Number One. I know Majel Barrett got the worst of the critics for her performance, but I’m convinced that’s only because she was so ahead of her time. Sure, she ‘tried to fit in with the boys’ by not screaming at Pike that she’s a woman just like Yeoman Colt and instead holds her tongue, but she has a quiet authority that Pike trusts and the crew obeys without question when Pike is taken out of commission and the ship falls under her command. I appreciated how she calmly handled things, and how quickly she came to the correct conclusion about Vina’s origin significantly before Pike did (because she did research). I would have loved to see how the gender-war played out in that cast and in that time period. It very well could have revolutionized the feminist movement, and we might have been where we are now with feminism nearly 50 years earlier. But that’s a much longer discussion. Basically what I’m saying is that in Number One’s quiet yet absolute authority I see traces of the women I look up to today, not the least of them being Wonder Woman.
You could say that I really liked this episode. 😉
Episode #1 – “The Man Trap”
Compared to “The Cage”, this episode was underwhelming. The effects were still good, the communicators looked more like little flip-phones than homemade junk, and the extended look at the ship was interesting. Unfortunately, the cast felt indifferent. Sure, you have your Captain Kirk (William Shatner), and Spock (Leonard Nimoy), and Sulu (George Takei), and Dr. McCoy (DeForest Kelley), and, of course, Uhura (Nichelle Nichols). Those characters I know from the reboots. I was slightly surprised by how easily they killed off cast – four crew members are killed by the ‘salt vampire’ before it is destroyed.
The scenes between Spock and Uhura show potential, though I was surprised by how openly Uhura flirted with Spock. I guess I just didn’t expect that in the first episode?
Overall it was a decent start, and I look forward to watching more episodes.