Viola Kingsley has suffered a lot in the three years since the death of the man she thought was her husband. True, there has been much happiness as well; she has gained friends, a son-in-law, grandchildren, and found real love from a family she wishes she could claim as her own. But she still feels isolated in her misery, unable to process and move past the horrific events that she has been forced to live through. So she runs. She meant to go straight home and hide out alone for a month or so, but fate had other plans.
Marcel Lamarr is a haunted man. After the death of his young wife, he took up a life of frivolity and womanizing, unable to look after his two young children for more than a few days at a time. Over the past seventeen years, he has hidden from his obligations in every way he knows how. Until he runs into Viola, the woman who spurned his love fourteen years earlier. He tries to leave her in peace but instead finds himself running away with her, fleeing their lives entirely. As Marcel and Viola find their true selves again, their lives start to creep back in, and a split moment’s decision might cost them everything they’ve ever wanted.
Mary Balogh does a wonderful job bringing Marcel and Viola to life in this fourth book of the Westcott series. Whereas I felt disconnected from everyone in the last installment, I felt the emotions acutely in this volume. Viola and Marcel’s problems run deep. This is not a simple miscommunication mix-up. They have both glimpsed happiness and had all they hold dear taken away from them in the blink of an eye. These are not wounds that can be healed through any of the common methods, and Balogh goes above and beyond to bring the characters to the roots of their problems.
I am thrilled that Viola’s book went so well, and I can’t wait to see how Elizabeth fares in the next installment, due out at the end of this month.
The Collector’s Apprentice takes readers into the whirling world of art collecting in the 1920s. Paulien Mertens is only nineteen when she meets the dashing George Everard, but when things mysteriously fall to pieces she finds herself exiled to Paris alone and nearly penniless. Drawing on her education and previous work in the art world, Paulien pieces together a new life as the assistant to Edwin Bradley, an up and coming American art collector who seeks to open a museum near Philadelphia. As she weaves her way through Parisian society, Paulien meets wonderful people like Gertrude Stein, Henri Matisse, and Zelda and Scott Fitzgerald. When George finally turns up, things are not as they seem, and Paulien is sent into a tailspin that nearly ruins everything she has built.
Shapiro’s new work tells the story of how one girl came back from the brink stronger, smarter, and braver than ever. It is part coming-of-age, part mystery, part heist novel. Paulien and George provide intriguing lenses through which we discover the events of the story. Indeed, all of the characters’s colorful descriptions paint a picture of Europe and America in the 1920s that is lush and many-layered. The plot thickens gradually, and the shocking finish does not disappoint.
I thoroughly enjoyed this foray into the art world and adored returning to 1920’s Paris, which, if you’ve read my reviews for Therese Anne Fowler’s Z: A Novel of Zelda Fitzgerald or Paula McLain’s The Paris Wife, you’ll know I have a bit of an obsession with. While it did not always grip me the way Z and The Paris Wife did, I simultaneously identified and sympathized with Shapiro’s characters, and her storytelling is top notch. The nuggets of information are there for you to guess the ending, though I must confess that I did not, which a refreshing turn of events! I would recommend The Collector’s Apprentice to anyone who enjoys a good historical coming-of-age story or enjoys con artists as main characters.
HHC Rating: 4.75 Stars
The Collector’s Apprentice hits shelves today, and Shapiro will be on tour through December promoting it. You can find the local stops on her tour schedule below, and find the book on Goodreads as well. A huge thanks to Brittani at Algonquin books for thinking of me when it came time for reviews and provided me with an e-ARC to read in exchange for my honest opinions. I loved it! But don’t just take my word for it. Here are some of the advanced praises for The Collector’s Apprentice:
“Shapiro delivers a clever and complex tale of art fraud, theft, scandal, murder, and revenge. [Her] portrayal of the 1920s art scene in Paris and Philadelphia is vibrant, and is populated by figures like Alice B. Toklas and Thornton Wilder; readers will be swept away by this thoroughly rewarding novel.”
“Dazzling and seductive, The Collector’s Apprentice is a tour de force—an exhilarating tale of shifting identities, desire, and intrigue set between 1920s Paris and Philadelphia. Shapiro is a master at melding historical and fictional characters to bring the past alive on the page, and in The Collector’s Apprentice she has forged an exquisite, multilayered story that maps the cogent and singular fire of a young woman’s ambition and the risks she will take for the sake of art.”
—Dawn Tripp, bestselling author of Georgia
“I was engrossed in every twist and turn in this compulsively captivating page-turner, all the way until its astonishing denouement. Shapiro has done it again!”
—Thrity Umrigar, bestselling author of The Space Between Us
B. A. Shapiro is the New York Times bestselling author of The Muralist and The Art Forger, which won the New England Book Award for Fiction and the Boston Authors Society Award for Fiction, among other honors. Her books have been selected as Community Reads in numerous cities and have been translated into over ten languages. Shapiro has taught sociology at Tufts University and creative writing at Northeastern University. She divides her time between Boston and Florida along with her husband, Dan, and their dog, Sagan. Her website is www.bashapirobooks.com.
The Collector’s Apprentice Press Tour
Stops in New England
Tuesday, October 16 — 7:00pm
279 Harvard St.
Brookline, MA 02446
Wednesday, October 17 — 7:00pm
9 College St.
South Hadley, MA 01075
Thursday, October 18 — 6:00pm
4869 Main Street
Manchester Center, VT 05255
Friday, October 19 — 7:00pm
82 Central St
Wellesley, MA 02482
Wednesday, November 7 — 7:00pm
RJ Julia Booksellers
768 Boston Post Rd
Madison, CT 06443
Thursday, November 8 — 7:00pm
273 Congress St.
Portland, ME 04101
Tuesday, November 20 — 7:00pm
Point Street Reading Series
71 Richmond St, 2nd Floor
Providence, RI 02903
Monday, November 26 — 3:00pm
432 Route 6A
East Sandwich, MA 02537
Tuesday, November 27 — 7:00pm
An Unlikely Story
111 South Street
Plainville, MA 02762
Wednesday, November 28 — 7:00pm
Savoy Bookshop & Café
10 Canal St.
Westerly, RI 02891
Thursday, November 29 — 7:00pm
79 Leonard St
Belmont, MA 02478
–Author Bio, Advanced Blurbs, and tour dates courtesy of Michael McKenzie and Brittani Hilles at Algonquin Books.
Evangeline O’Neill has special powers. She can see important moments in a person’s life just by holding something that belongs to them. This talent, of course, is not accepted in Zenith, Ohio. After a particularly bad evening of illegal drinking, the seventeen-year-old is shipped off to New York City to live with her bachelor uncle, William Fitzgerald, who runs The Museum of Creepy Crawlies, and his mysterious assistant, Jericho. Evie reunites with her childhood friend and the daughter of revolutionists, Mabel, as well as some new friends including Theta, a showgirl, and her brother Henry, a piano player, a thief named Sam, and a numbers runner named Memphis who might just be magical himself. Life can’t be the berries forever though, and before long Evie is called upon to use her powers to help stop a murderer before he raises the antichrist and wipes out all of man kind. Just another summer in 1920s New York, right?
I’ve heard about this book on and off since it came out in 2012, and I finally picked it up from the library in August of 2017. Definitely not disappointing! While the writing is easy to follow (except for the 20s slang, which I had to look up) and the chapters are short, the gruesomeness and maturity of the plot and characters’ thoughts definitely put this book squarely in the Young Adult category. If the reading level were a little higher I might even put it in adult, even though over half of the characters are ages 17-19.
If you can’t stand gore in your books, don’t read this. About half of the murders are detailed, and all of the bodies are described once they are discovered. If I was close to stopping my reading more the night and I knew a murder chapter was imminent, I would stop before it so I didn’t have it running around my brain all night long. Not that it really helped, because I still knew it was coming, so my brain usually decided to try and guess how it would go down *facepalm*. In that regard, I’m glad I’ve finished the book. At the same time, I’m sad to let the world go for a while until I get the next book. Bray’s version of 1920s New York City positively shines. I found myself wishing I could visit for the weekend (sans murders) to visit the theatres and clubs she describes in such vibrant detail. The buildings and the city are just as much characters as the human (and not so human) population.
If I were a cry-in-the-corner type of person, my horror-hating-soul would be doing that, because I don’t like being terrified of what’s coming, but I’m a bloody Gryffindor, and we don’t show fear, so I just marched on and kept reading. Overall, I think the horror aspects were very well balanced with the daily life in the 1920s and the mystery parts, which made me quite enjoy myself despite the demons lurking in the shadows.
Definitely pick this up if you have any interest in America’s supernatural history (I’m personally hoping one of the books in this quartet focuses on the witch trials), or if you adore 1920s period fiction, or if you liked Mary Shelley’s Frankenstein, because this book is pos-i-tute-ly for you. Also, this cover is magic. I love it.
HHC Rating: 5 Stars
Other reviews in this series:
Book #2 – Lair of Dreams
Book #3 – Before The Devil Breaks You
Book #4 – Untitled – TBD
As if you all didn’t already know of my love for fairytale retellings based on my reaction to Uprooted last year, let this be a testament. In this version of the classic Russian tale Vasilisa the Beautiful, Katherine Arden reimagines Vasya as the youngest child of a wealthy trader and his late wife, who herself was the daughter of the late ruler.
Vasya is indeed beautiful, but with a wild streak. As her elder sister begins preparing to marry, Vasya’s father Pyotr realizes that there will be no women to run Vasya’s life and makes the decision to remarry himself. At his brother-in-law’s insistence, he marries a woman whose faith dictates her life, and who is nearly as young as his sons.
About this time a young priest is rising to prominence in Moscow, threatening the power of the grand duke and the tentative peace across Russia. The grand duke decrees that the priest will travel with Pyotr when he returns to the north and to serve as the regional priest.
Vasya’s new stepmother and the new priest begin implementing Christian values in place of the old traditions, threatening the ancient spirits that protect Vasya’s homeland. As the townsfolks’ faith in the old ways waivers so do the life forces of their protectors. Vasya can see and communicate with the mysterious creatures, and soon finds herself the protector of the protectors. But a greater evil lurks in the forest, and it is only a matter of time – as the old ones weaken – until it wakes and comes for it’s due.
Much like Uprooted did last year, The Bear and the Nightingale transported me to another realm, another time. The twists and turns! The intricacy of the plot! The landscape itself was so beautifully depicted that it took my breath away. Arden has succeeded in creating a future classic with a permanent place on my shelf. And it’s a series! The second book, The Girl in the Tower, was released last year and the final book in the trilogy has been announced for release sometime early next year. I cannot wait to dive back into Vasya’s world: magical, dangerous, and filled with religion and court intrigue.
HHC Rating: 5 Stars.
Other books in this series:
Book #2 – The Girl in the Tower
Book #3 – The Winter of the Witch
The fallout from the death of the Earl of Riverdale continues in the third installment of the Westcott series. Alexander Westcott, the nephew of the late Earl, has struggled since his own father’s death to bring the family estate up to scratch. With the death of his uncle and the discovery of his half-cousin Anna, Alexander’s young cousin Harry is declared illegitimate, and the family title falls on Alexander’s already heavy shoulders. Not one to give up on the people who rely on him, Alexander resigns himself to attending the marriage market that is the London season in order to catch himself a rich wife to help defray the costs of fixing up two family estates.
Wren Heyden has been a recluse for almost as long as she can remember. Abused and abandoned, she found a loving home with her aunt and uncle in the country. With their passing, however, she is alone in the great house with the servants. All she has is her uncle’s glass company and the estate she grew up in – and lots and lots of money. But all she wants is marriage. At nearly thirty, she decides to buy herself a husband. After researching and meeting with all of the eligible bachelors in the neighborhood, she settles on Alexander. But he will only have her if she agrees to a ‘real’ courtship, which includes meeting his family, attending events, and going back to the one place she hoped to never set foot again: London.
I quite enjoyed this book. The conflict of Wren’s veils and her mostly closed-off nature with her wants and desires was fascinating. Alexander, by contrast, was less developed in this, his own book, than in the others. I almost forgot the story was taking place in the Westcott universe except that one or the other or the pair would bring up money and the earldom. This book was mostly about Wren, to be honest. Alexander felt like a vehicle through which we accessed the Westcott family – how Wren got to know them and became one of them, rather than how Alexander hit a home run on the curveball that was dealt him with the death of his uncle. I loved the peek into what Elizabeth, Abby, and Harry were up to, but I really needed more from Alexander. I felt like we only scratched the surface of him as a person.
***trigger warnings for child abuse in this one***
HHC Rating: 3.75 Stars
Other reviews in this series:
Book #1 – Someone to Love
Book #2 – Someone to Hold
Book #4 – Someone to Care Book #5 – Someone to Trust
Book #6 – TBA
Book #7 – TBA
Book #8 – TBA
Camille Westcott had everything – a title, a fiance, a loving family… but when her parents’ marriage is suddenly found to be bigamous, Camille loses everything. Her fiance forces her to call off the wedding. She is deemed a bastard and is no longer welcome in the polite society that only days before she had been sought after to indulge in. She is not even her father’s eldest child. Stunned and heartbroken, Camille flees to her grandmother’s home in Bath with her mother and her sister, where she shuts her self away from any society that might be willing to accept her. After months spent coming to terms with being a middle child of insignificant means, she finds that her frustration with her half-sister Anna haunts her every waking moment. Too scarred still to seek out Anna’s guidance, Camille does the next best thing. She signs up to take on her half-sister’s old job as the teacher at the orphanage where Anna grew up. Exploring her half-sister’s world, Camille is finally able to see life through Anna’s eyes, live in Anna’s shoes, and maybe, just maybe even find love in the places Anna never looked.
Joel Cunningham grew up an orphan. He’s always lived in the same place, teaching art alongside his best friend, Anna. When Anna suddenly finds out her true heritage and leaves for the big city, Joel is crushed. Reading her letters, he hopes for her return until her words turn to those of love for someone else. His daily existence becomes lonely and tiresome despite the children he loves and teaches. Still harboring a sore heart, Joel is outraged when Camille takes on the teaching position that was once Anna’s. The two troubled souls find that their mutual frustration with the ripple effect of Anna’s true parentage binds them together in strange ways, and after a night of unbridled feelings, the blossoming friendship between them turns into something else altogether, just to be thrown into chaos again when Joel receives a strange letter of his own.
I quite enjoyed this book. It was interesting to see how Anna flitted in and out of the narrative, sometimes in person, but mostly in the thoughts and hearts of Camille, Joel, and the other occupants of the orphanage. The character building was all there. In fact, the majority of the plot was internal struggles that Camille and Joel had to overcome in order to open their hearts to new opportunities. Watching them grow and mature and understand their new roles in the world was fascinating. That being said, so much of the plot was internal struggle that not a lot actually happened on the outside. Watching the more secondary characters be confused about the developing romance was real and true to the plot, which only made it better in my book.
HHC Rating: 4 Stars
Other reviews in this series:
Book #1 – Someone to Love
Book #3 – Someone to Wed
Book #4 – Someone to Care Book #5 – Someone to Trust
Book #6 – TBA
Book #7 – TBA
Book #8 – TBA
Accepting the position of smalltown Latin teacher was a no-brainer for Beatrice Nash. Finally on her own, she can’t wait to make her own money and get out from under her stifling family’s thumb and her father’s shadow. But war is looming. A great, big, world war, the likes of which have never been seen. With men signing up left and right, it’s only a matter of time before Beatrice’s students and colleagues start to head for the continent, closely followed by the new officers comprised mostly of the lesser gentry. A young surgeon and a poet, a Romani and a scholar, the war keeps its distance from no one. And so beings the summer before the war.
Helen Simonson does it again. The author of Major Pettigrew’s Last Stand – one of my favorite reads of 2017 – is back with another well-developed look at England’s less viewed history, and hits her mark. The characters are well developed and engaging, as well as incredibly refreshing. A book about an Edwardian surgeon! The first women authors! Single women living alone and working a respectable job! POETS. and so, so many underlying narratives about race and sexuality. Absolutely wonderful. 10/10 would read again.
I would like a prequel about Beatrice’s life with her father and then with her Aunt. Also, a novel purely about Aunt Agatha and her husband who works for the foreign office and who I am sure does spy things. I think they’re all just so interesting!
The book itself starts out relatively lighthearted, following the main premise of Beatrice settling into the town and her interactions with the townsfolk. About 3/4 of the way through, the war is finally upon us, with dire consequences for many. Simonson wraps everything up neatly, but not before she rips our hearts out and forces us to acknowledge that not everyone can live happily ever after.