Star Trek: The Original Series – “The Naked Time” and “The Enemy Within”

 

 

 

Star Trek - S1E4 S1E5 - _The Naked Time_ and _The Enemy Within_
Original Image via Wiki Media Commons

 

Welcome the third installment of my Star Trek watch through! You can find other posts in this series linked at the bottom, and the original post – including my watch order – here. I’m still not obsessed, but the show is going pretty well so far. I’m getting to know the characters very slowly, but it’s been interesting to see who will become more prominent as the series goes on.

 

Episode #4 – “The Naked Time”

This episode starts with space suits involving some mix of chicken wire and bubble wrap. So that’s cool. Then we get a strange bio-weapon that at first looks like blood and quickly has all the crew members acting like Lady Macbeth, and losing all of their inhibitions. This episode was full of opportunities for great acting, and everyone did wonderfully. I especially enjoyed O’Reilly’s singing and Irish pride. “You know what his mistake was, sir? Not being born an Irishman.” is just a great line.

Not a lot happens until the very end, when Scotty discovers that O’Reilly has turned the engines off completely and they must attempt starting the engines at full throttle from scratch, which has only ever been done in theory. The resulting implosion, rather than pushing them away from the dying planet they’ve been orbiting, sends them into a time warp. Which basically means they’re moving so fast that time actually runs backward, and when they come out of the time warp, they are three days earlier in time. It was only a moment of time travel, but Spock and Kirk agree that they might want to test that in the future.

The crew wiping their hands on their clothes and basically reenacting the “Out Damn Spot” scene from Macbeth was pretty entertaining, as was an uninhibited Spock, crying over his shame at having feelings. Great acting all-around made up for the lack of forward-moving story in this one.

The only downside to this episode is that the title makes no sense. No one is naked. Only Sulu takes his shirt off. I’m just confused.

 

 

Episode #5 – “The Enemy Within”

The crew of The Enterprise is visiting a planet where the temperature hits -120 (Fahrenheit?) at night, and contains strange magnetic yellow dust. Their inspection of the planet is going well, and they’ve found an animal (read: A puppy in a monster suit) they want to test further, when one of the crew injures themselves in a rockslide and must be sent back to the ship. Upon arrival, the transportation beam nearly burns out, but Scotty fixes it. Captain Kirk beams up soon after and doesn’t look so hot himself. It is only later when they beam up the ‘dog’ that they realize the transporter is malfunctioning and creating duplicates of everything that gets beamed up or down.

After a horrible moment in the life of Yeoman Janice Rand, we find out that Kirk was also duplicated. The rest of the episode is spent trying to catch the duplicate, and once it is determined that they’re not duplicates but halves, figuring out how to put them back together and prevent more people from getting split before the crew remaining on the planet freezes to death.

This episode is basically a montage of William Shatner, with Yeoman Rand, Spock, Scotty, and McCoy thrown in for variety. I can’t say that I loved it, but it was an interesting scenario at least. The previous episode allowed for much more breadth of acting. To be completely honest, this felt like Shatner wanted an episode where his character has a mixed up personality because everyone else got to do it in the previous episode and he felt left out. When in reality all he did to differentiate was to make Kirk-1 really boring and forgetful and Kirk-2 really mean and creepy. Kirk-2 has a terrifying gleam in his eyes that there is only one word for: rapey. And guess what almost happens to Yeoman Rand?

Kirk-2’s need for power and control is completely psychopathic, and while they tried to write off Kirk-1’s lack of decision-making skills on his lack of an evil side, I think it was more along the lines of confirming that Kirk is probably a creep deep down, and only through rigorous practice manages to keep the creep-vibes from showing while he is piloting the ship. As we saw in the previous episode, he wanted to take Yeoman Rand for a walk on the beach and go on a date, etc… but felt tied to the ship like he was married to it and not allowed to look at other women.

So far, the only consistent thing I’m disliking… is Shatner. And I feel kind of bad about that, but I’ve also never been a huge fan of him, so I’m not really all that surprised either.

 

Until next time,

Amanda

 

 

Other posts in this watch through:
Star Trek: The Original Series
“The Cage” and “The Man Trap”
“Charlie X” and “Where No Man Has Gone Before”
“Mudd’s Women” and “What Are Little Girls Made Of?” (COMING SOON)

Star Trek: The Original Series – “Charlie X” and “Where No Man Has Gone Before”

Star Trek - S1E2 P2S1E3 - _Charlie X_ and _Where No Man Has Gone Before_
Original Image via Wiki Media Commons

 

Welcome the second installment of my Star Trek watch through! You can find other posts in this series linked at the bottom, and the original post – including my watch order – here. Without further ado, let’s jump into the episodes.

 

 

Episode #2 – “Charlie X”

The episode starts out with Charlie Evans, a seventeen-year-old from a planet called Thasus, where he was orphaned when the ship he was on crashed. He has strange powers – the transmutation of objects and people – and causes a lot of trouble for the crew of the enterprise as he fumbles his way through his first human interactions since the age of three. He supposedly taught himself to speak by talking to his old ship’s onboard computer, and he becomes irrationally angry whenever anyone doesn’t like him. After making a crew member disappear into thin air in front of Captain Kirk, Charlie and the Captain begin to butt heads, and Charlie attempts to take control of the ship when Kirk tries to derail their course away from Alpha V, where Charlie’s closest relatives live. The natives of the planet Thasus, the Thasians, arrive in very cool glowy green ships to retrieve Charlie, who ran away without their knowledge. In order for the boy to survive on their planet, they had to grant him his powers, but they cannot be taken away, and his having them makes him too dangerous to live amongst humans. Charlie immediately begins pleading with the crew of the Enterprise to let him stay, despite the fact that he’s been trying to murder them for the past few days.

I enjoyed this episode quite a bit, as it felt very true to traditional science fiction. The taking of one element and exploiting it, whether by making it cease to exist or making it the sole reason for something – in this case whether or not people liked Charlie – to me is the essence of science fiction writing. Charlie had all of this power, but none of the wisdom to use it safely. Watching his blunders and antics reminded me of the many children’s books involving the dangers of untrained magic. Training without power may seem silly, but power without training typically means certain death no matter what your age is. The fact that we had this boy at the height of puberty with a ton of power and no training in human interaction lent an idea for a very interesting storyline. Also, I’m pretty sure I’ve had nightmares involving people with powers like these, but that’s probably a story for another day.

Overall it was very well done. The fact that Yeoman Janice, Captain Kirk, and Doctor McCoy all attempted to explain puberty, men/women, and general human interaction to someone without saying any of the words they actually needed to use because those words weren’t allowed on cable in the 60s was cracking me up, but it was also a very good lesson in story writing.

 

Pilot #2 / Episode #3 – “Where No Man Has Gone Before”

This episode was originally produced as a second pilot for the series and actually takes place at an earlier stardate than the first two aired episodes, despite this episode being aired third. As I just looked up, the stardates, while allowing the creators to build a rough timeline, were just an arbitrary mix of numbers that weren’t meant to correspond to a specific year so that viewers couldn’t make snide comments about whether things would exist the way they do on the show at that future date.

The first few things I noticed were Leonard Nimoy’s crazy eyebrows and the simplified detailing on the sleeves of the command shirts. It was much fancier in episode #2. Also, this was Scotty’s first official appearance! Although I’m not all convinced that was James Doohan. After that, the biggest things were the lack of Uhura’s presence and the general treatment of women, which really stuck out when Yeoman Smith clutched Gary Mitchell’s arm as the ship flew through a strange forcefield. Honestly, if you’re part of a space crew whose mission is to explore uncharted areas, why would you be so easily scared of a space-storm/forcefield? Dr. Dehner wasn’t scared at all, but then again nothing scares her throughout the episode, so maybe she’s just made of sterner stuff. Plenty of characters made cameos in the episode, including Sulu, but just about everyone felt flat. Kirk was overemotional in part to compensate for Spock’s decided lack of emotion – which is a huge point of contention in this episode – and it made him come off as whiny. The episode ends with Spock admitting that he was sad about Mitchell’s fate, and Kirk responding that there is hope for him yet.

 

Unlike “Charlie X”, which I enjoyed specifically for the storyline, “Where No Man Has Gone Before” felt like a string of ideas strung together. Like “The Cage”, every action had multiple meanings, and you could see and feel what was contrived for the show itself and what allowances were made for the studio in order to get the show green-lit. It is strange to me that two episodes of the same show could read so differently to me, but there you have it.

I’m really enjoying the special effects! The way they make things disappear and reappear is pretty awesome. Both of these episodes had actors and lighting doing strange things with the characters’ eyes, and entire walls and people disappeared! Having a background in production, I am especially curious as to how they are doing the disappearances specifically. I don’t think it’s green screening, but I also don’t think it’s two pieces of film being merged together somehow. I’ll try to get to the bottom of it for my next post.

I’m still enjoying the series. Every episode feels like it’s own universe, and while I’m only a few episodes in, the cast already feels diverse to me. I can only imagine what people thought of it in the 60s!

Until next time,

Amanda

 

 

Other posts in this watch through:
Star Trek: The Original Series
“The Cage” and “The Man Trap”
“The Naked Time” and “The Enemy Within”
“Mudd’s Women” and “What Are Little Girls Made Of?” (COMING SOON)