Slaughterhouse-Five is a lively, if strange, jaunt across time through Billy Pilgrim’s life. In the middle of World War II, Billy Pilgrim becomes unstuck in time. Although the rest of the world experiences Billy’s life linearly, Billy himself – his soul, if you will – hops around his own timeline. Sometimes he is in the forests of Germany, sometimes he is at his daughter’s wedding, sometimes he is on the alien planet of Tralfamador, and sometimes he is in his bunk inside Slaughterhouse Five just before the bombing of Dresden.
The overarching theme of this book seems to be the question of whether Billy is actually unstuck in time like he seems, or if he is suffering severe PTSD from the bombing of Dresden that makes him feel that way. The reader is never given an explicit answer. Whatever the actual reason for Billy’s obsession with the Tralfamadorians, there is no denying that this book is written in a confusing way. Billy even has a run-in with the author which just lends to the meta-filled non-plot.
I’ve been hearing about this book in school and in the book world for years, but I didn’t pick it up until a friend of a roommate recommended it based on what he saw on my shelves. I think I had a look of consternation on my face the entire time I was reading it, and ultimately I think I got exactly nothing out of it except for the fact that I can now say I’ve read it. If unreliable narrators are your jam than you might like it, but I can’t steer you in any particular direction regarding it.
Struck down by an unknown illness, Old One Will Stanton is sent to stay with his aunt and uncle in Wales to recover. In his unhealthy state, Will is not aware of much that has been going on besides the weather, and indeed it is not until he meets a boy named Bran that his memories of being an Old One return to him. Bran has been visited by Merriman, and together he and Will begin the search for the harp with which to wake the sleepers.
What made this story especially interesting were the additions of Bran and his dog, Caval, as companions for Will instead of Merriman. In fact, Merriman hardly made an appearance. The secondary characters really carried this story, with Will just tumbling along headfirst into danger among them because he can’t understand Welsh. This small fact truly holds the entirety of the plot together, as Will knowing Welsh would uncomplicate his journey significantly.
The start of this book was rough and sharp. We are never given any description or name for the illness which Will had, just that it clouded his mind and weakened his body, making him forget all about the Old Ones for a time. It is never even expressly stated where he caught the sickness or if it was caused by the Dark. It’s as if Will woke up one day from a bad dream, realized he had been asleep for a few months, and just kind of had to guess what to do next to help the Light. The majority of the plot surrounds Bran and Caval anyway, and I felt as if Will was simply an avenue for explaining their presence. Overall, the story was good, but it felt disconnected from the previous three.
All Will Stanton wants for his birthday is snow; something that never arrives in time for Christmas or his birthday in the south of England. Until it does. But the freak snowstorm isn’t the only thing that’s arrived in the Thames Valley. A homeless wanderer, a dark rider, and a man with a very distinctive white beard are all laying in wait for Will’s birthday. With Christmas fast approaching there isn’t much time to worry about the forces of evil, and that’s probably for the best because Will has another mission to worry about: he must combine the six ancient signs for the Light before the Dark rises to power forever.
In this second installment of The Dark is Rising sequence, we head to a new part of the British Isles, with new characters and old (pun intended), and new mission. Will Stanton is tasked with finding the second of the ‘things of the Light’, the first being the grail found by the Drew children in the first book. To complete his quest, Will has to gather the six signs, all made from different natural elements, to complete something called ‘the circle’. Along the way, the Dark seeks to trick and distract Will in many ways and test his loyalty to the Light. The danger factor in this book is definitely taken up a notch from the previous installment. Where the Drew children were chased by scary people with guns, Will is attacked by ravens, tortured with the simulated screams of his family among other emotional attacks, and chased down by horses and tornadoes. Oh, and everything takes place over the course of about two weeks, from Will’s birthday to Twelfth Night.
I’m still unsure if I like the time jumps in these books – days when nothing exciting happens are just skipped, but you don’t usually know there’s been a time jump for a few paragraphs – but the short time-spans of the novels is quite interesting. Most YA and MG books that are coming out today like to wrap everything up at the end of every book in a series, and leave the overarching storyline to be mostly a mystery. In this series, however, everything seems like tiny little steps towards facing the BIG BAD DARK ‘someday’. They finally explain in this one that there are four ‘things of the light’, and since there are five books, I assume we’ll find the other two things in Greenwitch and The Grey King, and then we’ll have our big fight scenes in Silver on the Tree. Just saying. It’s a lot more information than we had after Over Sea, Under Stone, which gave away nothing about the plot of the series except at the very very end when Barney is all like, ‘You know, I think Uncle Merry is a lot older than we think he is,” because Barney rules.
I’m going to try to finish the series and reviews for the books by the end of the year, despite the fact that I totally missed posting this last week. Grad school is hard, okay? I’m also starting to get sick and I’m starting a new job (more on that in the October Update post on Thursday), so there’s been a lot going on. Who knows if I’ll get to NaNoWriMo this year. So, this has been your chatty book review for the week. I’m going to go finish a rough draft of a paper now before getting five hours of sleep and then going to work training for eight hours before my four-hour class where said rough draft is due. You’ll find out on Thursday if I’ve survived. Until then, leave me a comment about your favorite use of timelines in a book series!
HHC Rating: 4 Stars
Other reviews in this series:
Book #1 – Over Sea, Under Stone
Book #3 – Greenwitch
Book #4 – The Grey King (Review Coming Soon!)
Book #5 – Silver on the Tree(Review Coming Soon!)
I have wanted to watch this movie since it was released in 2011. Paris? Check. Artists, writers, and time travel to some of the most iconic times to be alive? Check. Great cast? Check! It just had so much to recommend it.
I should probably tell you that aside from Antz, which I hated, this is the first Woody Allen film I’ve ever seen. I swear that Annie Hall is on my list, but I haven’t gotten to it yet. I finally watched Midnight in Paris at the beginning of this month, and I was not disappointed. The imagery is beautiful, the premise and plot are very well done, and the intermingling of the present day with the past was just fantastic.
Owen Wilson’s character, Gil, is a screenwriter turned struggling author. He dreams of moving to Paris and renting out an attic like Hemingway and Fitzgerald did in the 20’s. In effect, he is living Fitzgerald’s life in reverse, since Fitzgerald was an author and became a screenwriter. Gil’s fiancé, Inez, played by Rachel McAdams, comes from a wealthy family and dreams of living a lavish lifestyle in California. She thinks Gil would do well if he would just concentrate on what he’s good at – writing and rewriting scripts for big blockbusters.
Gil and Inez travel to Paris with Inez’s parents, who are in the country on business. At dinner one evening they run into Paul, Inez’s close friend and biggest crush from college, and his fiancé Carol. Paul is in Paris to give a lecture series at the Sorbonne and invites the couple to accompany them on various sight-seeing expeditions. After each trip, Gil decides to walk home rather than cram into a taxi, and each time he walks home he comes across a Peugeot Type 176 (a car from the 1920’s) that picks him up and takes him to famous places in 1920’s Paris. Along the way, he meets the likes of Hemingway, the Fitzgeralds, Gertrude Stein, and Picasso among others.
In between trips to the 20’s, Gil makes progress with his novel and in his life, and the film ends with his decisions being made and feeling a sense of accomplishment and happiness he hasn’t had in years.
I would highly recommend this film to anyone who enjoys movies about writers and time travel and love, but most of all stories of self-discovery.