Star Trek Watch Through Part 5: The Original Series – “Miri” and “Dagger of the Mind”


Original image via Wiki Media Commons

Welcome to part five of my Star Trek watch through! I had some downtime over the holidays and was able to get back on track with my watching habits. This post will cover The Original Series, Episodes #8 and #9, “Miri” and “Dagger of the Mind.” Other posts in this series can be found linked at the bottom, and the watch order can be found on the first post, here.

Episode #8 – “Miri”

Captain Kirk, Dr. McCoy, Spock, and Yeoman Rand beam down to a new Earth in what seems to be an exact replica of our solar system after they receive a distress signal. The planet seems to be halted sometime in the 1960s, and the crew only finds children alive. One of the older children, a girl named Miri, explains that the ‘grups’ (grown-ups) all contracted a disease, went crazy, and died. The crew of The Enterprise soon discover that the ‘disease’ was a failed attempt at immortality, and that it slows aging to a rate of 1 month of aging to every 100 years in children, but rapidly sends adults into a frenzy that ends in death. The children are the only survivors, and they will contract the ‘disease’ when they hit puberty. Before they are able to make this discovery, the oldest boy alive and defacto leader of the children, who call themselves ‘onlys’, leads a team to steal the crew’s communicators, so they have no contact with the ship or its computers to use in finding a cure. The crew begins contracting the disease after making contact with the children.

I think Cpt. Kirk is supposed to be attempting to manipulate Miri in order to get answers about the children, the planet, and the disease, but in all honesty, he just creepily hits on her for the entire episode, while also flirting with Yeoman Rand, which nearly turns Miri and the children against him. There wasn’t much, if any, plot movement in this episode aside from the actual search for a cure.

Episode #9 – “Dagger of the Mind”

The USS Enterprise is delivering supplies to the Tentalus Penal Colony when a Dr. Simon VanGelder, sneaks aboard and asks for asylum. Dr. McCoy asks Captain Kirk to perform a full investigation and Kirk beams down to the penal colony along with Dr. Helen Noelle, to act as his medical eyes and ears. Once on Tantalus, Cpt. Kirk and Dr. Noelle follow the lead penal doctor, Dr. Adams, through a full inspection of the facilities, including a Neural Neutralizer that Dr. Adams explains doesn’t work all that well, but none-the-less was the cause of Dr. VanGelder’s brain injuries.

Back on the ship, Dr. McCoy and Spock try to get some answers out of Dr. VanGelder, who seems to be in immense pain any time he tries to recall something of note. Spock attempts Vulcan Mind Reading on a human for the first time, whereupon they discover that Dr. Adams has been wiping peoples’ memories and filling them with his own ideas. After a struggle with Dr. Adams, Kirk is freed when Dr. Noelle electrocutes a guy and short circuits the security barrier, allowing Spock to beam down to the penal colony with a rescue team.


The two most notable things about this episode are, firstly, the past between Cpt. Kirk and Dr. Noelle, who apparently hit it off at a Christmas party. Kirk seems uncomfortable beaming down to the colony with her and tells Spock to pass a message to Dr. McCoy, that Dr. Noelle had better be the best damn assistant he’s ever had. I assume the feeling here was supposed to be that McCoy let Noelle go with Kirk because she liked him, but it came across as either she was way more interested in him than he was in her and couldn’t let it go, or that he has trouble keeping his hands off of her. Either way, it was icky. Made more so by Dr. Noelle attempting to ascertain if Kirk has feelings for her and Cpt. Kirk falling prey to mind control and then sexually assaulting Dr. Noelle. The over-sexualization of Dr. Noelle’s garb and that single loose lock of hair were all ridiculously over the top as well. That chunk of hair would get annoying fast. No woman would walk about without spare bobby pins in her pocket (do their uniforms have pockets?). And also if you’re a medic, why bother curly your hair like that all the time when a ponytail works so much better.

Secondly, the Neural Neutralizer, which is clearly a basic prototype from which we get the Neuralizers found in the Men In Black films. Flash someone and fill in the blank for their memory. Genius! Put it in all the things!

Overall, not a terrible episode, just the glaring sexualizations that really irked me. I don’t think I will ever get used to it.

Other Posts in This Series:
Star Trek – The Original Series: Season #1
Part 1: “The Cage” and “The Man Trap”
Part 2: “Charlie X” and “Where No Man Has Gone Before”
Part 3: “The Naked Time” and “The Enemy Within”
Part 4: “Mudd’s Women” and “What Little Girls Are Made Of”
Part 6: “The Corbomite Maneuver” and “The Menagerie, Part 1” (Coming Soon)

Star Trek Watch Through Part 2: The Original Series – “Charlie X” and “Where No Man Has Gone Before”

Star Trek - S1E2 P2S1E3 - _Charlie X_ and _Where No Man Has Gone Before_
Original Image via Wiki Media Commons

Welcome the second installment of my Star Trek watch through! You can find other posts in this series linked at the bottom, and the original post – including my watch order – here. Without further ado, let’s jump into the episodes.

Episode #2 – “Charlie X”

The episode starts out with Charlie Evans, a seventeen-year-old from a planet called Thasus, where he was orphaned when the ship he was on crashed. He has strange powers – the transmutation of objects and people – and causes a lot of trouble for the crew of the enterprise as he fumbles his way through his first human interactions since the age of three. He supposedly taught himself to speak by talking to his old ship’s onboard computer, and he becomes irrationally angry whenever anyone doesn’t like him. After making a crew member disappear into thin air in front of Captain Kirk, Charlie and the Captain begin to butt heads, and Charlie attempts to take control of the ship when Kirk tries to derail their course away from Alpha V, where Charlie’s closest relatives live. The natives of the planet Thasus, the Thasians, arrive in very cool glowy green ships to retrieve Charlie, who ran away without their knowledge. In order for the boy to survive on their planet, they had to grant him his powers, but they cannot be taken away, and his having them makes him too dangerous to live amongst humans. Charlie immediately begins pleading with the crew of the Enterprise to let him stay, despite the fact that he’s been trying to murder them for the past few days.

I enjoyed this episode quite a bit, as it felt very true to traditional science fiction. The taking of one element and exploiting it, whether by making it cease to exist or making it the sole reason for something – in this case whether or not people liked Charlie – to me is the essence of science fiction writing. Charlie had all of this power, but none of the wisdom to use it safely. Watching his blunders and antics reminded me of the many children’s books involving the dangers of untrained magic. Training without power may seem silly, but power without training typically means certain death no matter what your age is. The fact that we had this boy at the height of puberty with a ton of power and no training in human interaction lent an idea for a very interesting storyline. Also, I’m pretty sure I’ve had nightmares involving people with powers like these, but that’s probably a story for another day.

Overall it was very well done. The fact that Yeoman Janice Rand, Captain Kirk, and Doctor McCoy all attempted to explain puberty, men/women, and general human interaction to someone without saying any of the words they actually needed to use because those words weren’t allowed on cable in the 60s was cracking me up, but it was also a very good lesson in story writing.

Pilot #2 / Episode #3 – “Where No Man Has Gone Before”

This episode was originally produced as a second pilot for the series and actually takes place at an earlier stardate than the first two aired episodes, despite this episode being aired third. As I just looked up, the stardates, while allowing the creators to build a rough timeline, were just an arbitrary mix of numbers that weren’t meant to correspond to a specific year so that viewers couldn’t make snide comments about whether things would exist the way they do on the show at that future date.

The first few things I noticed were Leonard Nimoy’s crazy eyebrows and the simplified detailing on the sleeves of the command shirts. It was much fancier in episode #2. Also, this was Scotty’s first official appearance! Although I’m not all convinced that was James Doohan. After that, the biggest things were the lack of Uhura’s presence and the general treatment of women, which really stuck out when Yeoman Smith clutched Gary Mitchell’s arm as the ship flew through a strange forcefield. Honestly, if you’re part of a space crew whose mission is to explore uncharted areas, why would you be so easily scared of a space-storm/forcefield? Dr. Dehner wasn’t scared at all, but then again nothing scares her throughout the episode, so maybe she’s just made of sterner stuff. Plenty of characters made cameos in the episode, including Sulu, but just about everyone felt flat. Kirk was overemotional in part to compensate for Spock’s decided lack of emotion – which is a huge point of contention in this episode – and it made him come off as whiny. The episode ends with Spock admitting that he was sad about Mitchell’s fate, and Kirk responding that there is hope for him yet.

Unlike “Charlie X”, which I enjoyed specifically for the storyline, “Where No Man Has Gone Before” felt like a string of ideas strung together. Like “The Cage”, every action had multiple meanings, and you could see and feel what was contrived for the show itself and what allowances were made for the studio in order to get the show green-lit. It is strange to me that two episodes of the same show could read so differently to me, but there you have it.

I’m really enjoying the special effects! The way they make things disappear and reappear is pretty awesome. Both of these episodes had actors and lighting doing strange things with the characters’ eyes, and entire walls and people disappeared! Having a background in production, I am especially curious as to how they are doing the disappearances specifically. I don’t think it’s green screening, but I also don’t think it’s two pieces of film being merged together somehow. I’ll try to get to the bottom of it for my next post.

I’m still enjoying the series. Every episode feels like it’s own universe, and while I’m only a few episodes in, the cast already feels diverse to me. I can only imagine what people thought of it in the 60s!

Until next time,

Amanda

Other posts in this watch through:
Star Trek: The Original Series
“The Cage” and “The Man Trap”
“The Naked Time” and “The Enemy Within”
“Mudd’s Women” and “What Are Little Girls Made Of?” (COMING SOON)